Partially Obstructed Cinema
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Blog: Looking at Akira Kurosawa’s Staging in SEVEN SAMURAI (1954)
Blog: Robert Bresson’s Sleight of Hand in L’ARGENT (1983)
Blog: Life On The Road in Agnes Varda’s VAGABOND (1985)
Blog: Family, THE LODGER (1927), and The Big Moral Dilemma in Hitchcock’s SHADOW OF A DOUBT (1943)
Blog: Psychoanalysis, Family, and Growth in THE BROOD (1979)
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Partially Obstructed Cinema 